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into　the　elements。　Many　persons；　having　perfect　eyes；　are　blind　in
their　perceptions。　Many　persons；　having　perfect　ears；　are　emotionally
deaf。　Yet　these　are　the　very　ones　who　dare　to　set　limits　to　the　vision
of　those　who；　lacking　a　sense　or　two；　have　will；　soul；　passion；
imagination。　Faith　is　a　mockery　if　it　teaches　us　not　that　we　may
construct　a　world　unspeakably　more　plete　and　beautiful　than　the
material　world。　And　I；　too；　may　construct　my　better　world；　for　I　am　a
child　of　God；　an　inheritor　of　a　fragment　of　the　Mind　that　created　all
worlds。

There　is　a　consonance　of　all　things；　a　blending　of　all　that　we　know
about　the　material　world　and　the　spiritual。　It　consists　for　me　of　all
the　impressions；　vibrations；　heat；　cold；　taste；　smell；　and　the
sensations　which　these　convey　to　the　mind；　infinitely　bined；
interwoven　with　associated　ideas　and　acquired　knowledge。　No　thoughtful
person　will　believe　that　what　I　said　about　the　meaning　of　footsteps　is
strictly　true　of　mere　jolts　and　jars。　It　is　an　array　of　the　spiritual　in
certain　natural　elements；　tactual　beats；　and　an　acquired　knowledge　of
physical　habits　and　moral　traits　of　highly　organized　human　beings。　What
would　odours　signify　if　they　were　not　associated　with　the　time　of　the
year；　the　place　I　live　in；　and　the　people　I　know？

The　result　of　such　a　blending　is　sometimes　a　discordant　trying　of
strings　far　removed　from　a　melody；　very　far　from　a　symphony。　（For　the
benefit　of　those　who　must　be　reassured；　I　will　say　that　I　have　felt　a
musician　tuning　his　violin；　that　I　have　read　about　a　symphony；　and　so
have　a　fair　intellectual　perception　of　my　metaphor。）　But　with　training
and　experience　the　faculties　gather　up　the　stray　notes　and　bine　them
into　a　full；　harmonious　whole。　If　the　person　who　acplishes　this　task
is　peculiarly　gifted；　we　call　him　a　poet。　The　blind　and　the　deaf　are　not
great　poets；　it　is　true。　Yet　now　and　again　you　find　one　deaf　and　blind
who　has　attained　to　his　royal　kingdom　of　beauty。

I　have　a　little　volume　of　poems　by　a　deaf…blind　lady；　Madame　Bertha
Galeron。　Her　poetry　has　versatility　of　thought。　Now　it　is　tender　and
sweet；　now　full　of　tragic　passion　and　the　sternness　of　destiny。　Victor
Hugo　called　her　〃La　Grande　Voyante。〃　She　has　written　several　plays；　two
of　which　have　been　acted　in　Paris。　The　French　Academy　has　crowned　her
work。

The　infinite　wonders　of　the　universe　are　revealed　to　us　in　exact　measure
as　we　are　capable　of　receiving　them。　The　keenness　of　our　vision　depends
not　on　how　much　we　can　see；　but　on　how　much　we　feel。　Nor　yet　does　mere
knowledge　create　beauty。　Nature　sings　her　most　exquisite　songs　to　those
who　love　her。　She　does　not　unfold　her　secrets　to　those　who　e　only　to
gratify　their　desire　of　analysis；　to　gather　facts；　but　to　those　who　see
in　her　manifold　phenomena　suggestions　of　lofty；　delicate　sentiments。

＇Illustration：　Copyright；　1907；　by　The　Whitman　Studio

The　Little　Boy　Next　Door

To　face　page　120＇

Am　I　to　be　denied　the　use　of　such　adjectives　as　〃freshness〃　and
〃sparkle；〃　〃dark〃　and　〃gloomy〃？　I　have　walked　in　the　fields　at　early
morning。　I　have　felt　a　rose…bush　laden　with　dew　and　fragrance。　I　have
felt　the　curves　and　graces　of　my　kitten　at　play。　I　have　known　the
sweet；　shy　ways　of　little　children。　I　have　known　the　sad　opposites　of
all　these；　a　ghastly　touch　picture。　Remember；　I　have　sometimes　travelled
over　a　dusty　road　as　far　as　my　feet　could　go。　At　a　sudden　turn　I　have
stepped　upon　starved；　ignoble　weeds；　and　reaching　out　my　hands；　I　have
touched　a　fair　tree　out　of　which　a　parasite　had　taken　the　life　like　a
vampire。　I　have　touched　a　pretty　bird　whose　soft　wings　hung　limp；　whose
little　heart　beat　no　more。　I　have　wept　over　the　feebleness　and　deformity
of　a　child；　lame；　or　born　blind；　or；　worse　still；　mindless。　If　I　had　the
genius　of　Thomson；　I；　too；　could　depict　a　〃City　of　Dreadful　Night〃　from
mere　touch　sensations。　From　contrasts　so　irreconcilable　can　we　fail　to
form　an　idea　of　beauty　and　know　surely　when　we　meet　with　loveliness？

Here　is　a　son　eloquent　of　a　blind　man's　power　of　vision：


　　　　　　　　　　　　　　THE　MOUNTAIN　TO　THE　PINE

　　　　　　　　　　Thou　tall；　majestic　monarch　of　the　wood；
　　　　　　　　　　　　That　standest　where　no　wild　vines　dare　to　creep；
　　　　　　　　　　Men　call　thee　old；　and　say　that　thou　hast　stood
　　　　　　　　　　　　A　century　upon　my　rugged　steep；
　　　　　　　　　　Yet　unto　me　thy　life　is　but　a　day；
　　　　　　　　　　　　When　I　recall　the　things　that　I　have　seen；……
　　　　　　　　　　The　forest　monarchs　that　have　passed　away
　　　　　　　　　　　　Upon　the　spot　where　first　I　saw　thy　green；
　　　　　　　　　　For　I　am　older　than　the　age　of　man；
　　　　　　　　　　　　Or　all　the　living　things　that　crawl　or　creep；
　　　　　　　　　　　　Or　birds　of　air；　or　creatures　of　the　deep；
　　　　　　　　　　I　was　the　first　dim　outline　of　God's　plan：
　　　　　　　　　　　　Only　the　waters　of　the　restless　sea
　　　　　　　　　　　　And　the　infinite　stars　in　heaven　are　old　to　me。

I　am　glad　my　friend　Mr。　Stedman　knew　that　poem　while　he　was　making　his
Anthology；　for　knowing　it；　so　fine　a　poet　and　critic　could　not　fail　to
give　it　a　place　in　his　treasure…house　of　American　poetry。　The　poet；　Mr。
Clarence　Hawkes；　has　been　blind　since　childhood；　yet　he　finds　in　nature
hints　of　binations　for　his　mental　pictures。　Out　of　the　knowledge　and
impressions　that　e　to　him　he　constructs　a　masterpiece　which　hangs
upon　the　walls　of　his　thought。　And　into　the　poet's　house　e　all　the
true　spirits　of　the　world。

It　was　a　rare　poet　who　thought　of　the　mountain　as　〃the　first　dim　outline
of　God's　plan。〃　That　is　the　real　wonder　of　the　poem；　and　not　that　a
blind　man　should　speak　so　confidently　of　sky　and　sea。　Our　ideas　of　the
sky　are　an　accumulation　of　touch…glimpses；　literary　allusions；　and　the
observations　of　others；　with　an　emotional　blending　of　all。　My　face　feels
only　a　tiny　portion　of　the　atmosphere；　but　I　go　through　continuous　space
and　feel　the　air　at　every　point；　every　instant。　I　have　been　told　about
the　distances　from　our　earth　to　the　sun；　to　the　other　plas；　and　to
the　fixed　stars。　I　multiply　a　thousand　times　the　utmost　height　and　width
that　my　touch　passes；　and　thus　I　gain　a　deep　sense　of　the　sky's
immensity。

Move　me　along　constantly　over　water；　water；　nothing　but　water；　and　you
give　me　the　solitude；　the　vastness　of　ocean　which　fills　the　eye。　I　have
been　in　a　little　sail…boat　on　the　sea；　when　the　rising　tide　swept　it
toward　the　shore。　May　I　not　understand　the　poet's　figure：　〃The　green　of
spring　overflows　the　earth　like　a　tide〃？　I　have　felt　the　flame　of　a
candle　blow　and　flutter　in　the　breeze。　May　I　not；　then；　say：　〃Myriads　of
fireflies　flit　hither　and　thither　in　the　dew…wet　grass　like　little
fluttering　tapers〃？

bine　the　endless　space　of　air；　the　sun's　warmth；　the　clouds　that　are
described　to　my　understanding　spirit；　the　frequent　breaking　through　the
soil　of　a　brook　or　the　expanse　of　the　wind…ruffled　lake；　the　tactual
undulation　of　the　hills；　which　I　recall　when　I　am　far　away　from　them；
the　towering　trees　upon　trees　as　I　walk　by　them；　the　bearings　that　I　try
to　keep　while　others　tell　me　the　directions　of　the　various　points　of　the
scenery；　and　you　will　begin　to　feel　surer　of　my　mental　landscape。　The
utmost　bound　to　which　my　thought　will　go　with　clearness　is　the　horizon
of　my　mind。　From　this　horizon　I　imagine　the　one　which　the　eye　marks。

Touch　cannot　bridge　distance；……it　is　fit　only　for　the　contact　of
surfaces；……but　thought　leaps　the　chasm。　For　this　reason　I　am　able　to　use
words　descriptive　of　objects　distant　from　my　senses。　I　have　felt　the
rondure　of　the　infant's　tender　form。　I　can　apply　this　perception　to　the
landscape　and　to　the　far…off　hills。




ANALOGIES　IN　SENSE　PERCEPTION




X

ANALOGIES　IN　SENSE　PERCEPTION


I　HAVE　not　touched　the　outline　of　a　star　nor　the　glory　of　the　moon；　but
I　believe　that　God　has　set　two　lights　in　mind；　the　greater　to　rule　by
day　and　the　lesser　by　night；　and　by　them　I　know　that　I　am　able　to
navigate　my　life…bark；　as　certain　of　reaching　the　haven　as　he　who　steers
by　the　North　Star。　Perhaps　my　sun　shines　not　as　yours。　The　colours　that
glorify　my　world；　the　blue　of　the　sky；　the　green　of　the　fields；　may　not
correspond　exactly　with　those　you　delight　in；　but　they　are　none　the　less
colour　to　me。　The　sun　does　not　shine　for　my　physical　eyes；　nor　does　the
lightning　flash；　nor　do　the　trees　turn　green　in　the　spring；　but　they
have　not　therefore　ceased　to　exist；　any　more　than　the　landscape　is
annihilated　when　you　turn　your　back　on　it。

I　understand　how　scarlet　can　differ　from　crimson　because　I　know　that　the
smell　of　an　orange　is　not　the　smell　of　a　grape…fruit。　I　can　also
conceive　that　colours　have　shades；　and　guess　what　shades　are。　In　smell
and　taste　there　are　varieties　not　broad　enough　to　be　fundamental；　so　I
call　them　shades。　There　are　half　a　dozen　roses　near　me。　They　all　have
the　unmistakable　rose　scent；　yet　my　nose　tells　me　that　they　are　not　the
same。　The　American　Beauty　is　distinct　from　the　Jacqueminot　and　La
France。　Odours　in　certain　grasses　fade　as　really　to　my　sense　as　certain
colours　do　to　yours　in　the　sun。　The　freshness　of　a　flower　in　my　hand　is
analogous　to　the　freshness　I　taste　in　an　apple　newly　picked。　I　make　use
of　analogies　like　these　to　enlarge　my　conceptions　of　colours。　Some
analogies　which　I　draw　between　qualities　in　surface　and　vibration；　taste
and　smell；　are　drawn　by　others　between　sight；　hearing；　and　touch。　This
fact　encourages　me　to　persevere；　to　try　and　bridge　the　gap　between　the
eye　and　the　hand。

Certainly　I　get　far　enough　to　sympathize　with　the　delight　that　my　kind
feel　in　beauty　they　see　and　harmony　they　hear。　This　bond　between
humanity　and　me　is　worth　keeping；　even　if　the　idea　on　which　I　base　it
prove　erroneous。

Sweet；　beautiful　vibrations　exist　for　my　touch；　even　though　they　travel
through　other　substances　than　air　to　reach　me。　So　I　imagine　sweet；
delightful　sounds；　and　the　artistic　arrangement　of　them　which　is　called
music；　and　I　remember　that　they　travel　through　the　air　to　the　ear；
conveying　impressions　somewhat　like　mine。　I　also　know　what　tones　are；
since　they　are　perceptible　tactually　in　a　voice。　Now；　heat　varies
greatly　in　the　sun；　in　the　fire；　in　hands；　and　in　the　fur　of　animals；
indeed；　there　is　such　a　thing　for　me　as　a　cold　sun。　So　I　think　of　the
varieties　of　light　that　touch　the　eye；　cold　and　warm；　vivid　and　dim；
soft　and　glaring；　but　always　light；　and　I　imagine　their　passage　through
the　air　to　an　extensive　sense；　instead　of　to　a　narrow　one　like　touch。
From　the　experience　I　have　had　with　voices　I　guess　how　the　eye
distinguishes　shades　in　the　midst　of　light。　While　I　read　the　lips　of　a
woman　whose　voice　is　soprano；　I　note　a　low　tone　or　a　glad　tone　in　the
midst　of　a　high；　flowing　voice。　When　I　feel　my　cheeks　hot；　I　know　that　I
am　red。　I　have　talked　so　much　and　read　so　much　about　colours　that
through　no　will　of　my　own　I　attach　meanings　to　them；　just　as　all　people
attach　certain　meanings　to　abstract　terms　like　hope；　idealism；
monotheism；　intellect；　which　cannot　be　represented　truly　by　visible
objects；　but　which　are　understood　from　analogies　between　immaterial
concepts　and　the　ideas　they　awaken　of　external　things。　The　force　of
association　drives　me　to　say　that　white　is　exalted　and　pure；　green　is
exuberant；　red　suggests　love　or　shame　or　strength。　Without　the　colour　or
its　equivalent；　life　to　me　would　be　dark；　barren；　a　vast　blackness。

Thus　through　an　inner　law　of　pleteness　my　thoughts　are　not　permitted
to　remain　colourless。　It　strains　my　mind　to　separate　colour　and　sound
from　objects。　Since　my　education　began　I　have　always　had　things
described　to　me　with　their　colours　and　sounds　by　one　with　keen　senses
and　a　fine　feeling　for　the　significant。　Therefore　I　habitually　think　of
things　as　coloured　and　resonant。　Habit　accounts　for　part。　The　soul　sense
accounts　for　another　part。　The　brain　with　its　five…sensed　construction
asserts　its　right　and　accounts　for　the　rest。　Inclusive　of　all；　the　unity
of　the　world　demands　that　colour　be　kept　in　it；　whether　I　have
cognizance　of　it　or　not。　Rather　than　be　shut　out；　I　take　part　in　it　by
discussing　it；　imagining　it；　happy　in　the　happiness　of　those　near　me
who　gaze　at　the　lovely　hues　of　the　sunset　or　the　rainbow。

My　hand　has　its　share　in　this　multiple　knowledge；　but　it　must　never　be
forgotten　that　with　the　fingers　I　see　only